Rise of the Sufferfests (Original Soundtrack)

Rise of the Sufferfests (Original Soundtrack)

  • 流派:Electronic 电子
  • 语种:英语
  • 发行时间:2016-09-02
  • 唱片公司:Kdigital Media, Ltd.
  • 类型:录音室专辑
  • 歌曲
  • 歌手
  • 时长

简介

Micah Dahl Anderson, is an imaginative and versatile composer. He has written music for innovative and award winning films such as; Man From Reno (Nominated for The John Cassevets Spirit Award, Best Narrative Feature LA Film Festival, Jury Award Asian Film Festival of Dalas, Jury Award San Diego Asian Film Festival), Peace Officer (Grand Jury Award Winner for Documentary Feature SXSW, Audience Award Winner SXSW, Audience Award Best Documentary Feature Montclair Film Festival). As well as for television, like the Emmy® award winning television series The Generations Project, and Emmy® award winning series Beehive Stories. He produced the branding music for the PBS affiliate Channel Eleven Utah. He has written commercial music for a many exceptional brands including; Johnson and Johnson, Saks Fifth Avenue, Big O Tires, Estée Lauder, Adobe, Dreyer's Ice Cream, to name a few. He received the Silver Pencil Award for his work on Typophile 4, at The One Show New York. In 2013 he was honored with an Emmy® for his work on the television series Beehive Stories. Brian Casey Lee is a composer and sound designer currently finishing his Bachelor's in Music degree from. Brigham Young University. Known for his inventive and adaptive style, Brian has contributed music and sound design to films, documentaries, television, commercials, video games and new media projects. Californians, White Manna. Much of the edge of their set – which takes places amidst a backdrop of retina-burning ink projections of purples, blues and whites – comes from vocalist and guitarist David Johnson. He uses each loop of their psychedelic reel to whip himself up into a frothing at the mouth frenzy, to the point where his repeated mantras become unhinged howls, raging against the bone-hard space rock of his four band mates. In a recent interview, Johnson revealed he didn’t pick up a guitar until his late 20’s, which partly explains the primal nature of White Manna’s wonderfully swampy sound: on the one hand they’re heading towards the cosmos, but on the other they possess the raw punk nous of seminal garage bands like The MC5 and The Stooges. (NME)

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