Works of Chabrier, Franck, Grétry, Lalo, Méhul, Saint-Saëns, Delius, Balakirev & Strauss (Live)
- 指挥: Sir Thomas Beecham (托马斯·比彻姆)
- 发行时间:2019-05-17
- 唱片编号:ICAC5158
- 类型:演唱会
- 歌曲
- 时长
Disc 1
-
作曲家:Emmanuel Chabrier( 埃玛努尔·夏布里埃)
-
作品集:Gwendoline( 艺术歌曲《格温德林》)
-
作曲家:Édouard Lalo
-
作品集:Symphony in G minor
-
作曲家:César Franck( 赛萨尔·弗兰克)
-
作品集:Le Chasseur Maudit
-
作曲家:Édouard Lalo
-
作品集:Symphony in G minor
-
作曲家:André-Modeste Gretry
-
作品集:Zémire et Azor – Ballet Suite
-
作曲家:Édouard Lalo
-
作品集:Symphony in G minor
-
作曲家:André-Modeste Gretry
-
作品集:Zémire et Azor – Ballet Suite
-
作曲家:Édouard Lalo
-
作品集:Symphony in G minor
-
作曲家:André-Modeste Gretry
-
作品集:Zémire et Azor – Ballet Suite
Disc 2
-
作曲家:Étienne Nicolas Méhul
-
作品集:Symphony No.2 in D major
-
作曲家:Camille Saint-Saëns( 夏尔·卡米尔·圣-桑)
-
作品集:Samson et Dalila – Ballet Music
-
作曲家:Étienne Nicolas Méhul
-
作品集:Symphony No.2 in D major
-
作曲家:Camille Saint-Saëns( 夏尔·卡米尔·圣-桑)
-
作品集:Samson et Dalila – Ballet Music
-
作曲家:Étienne Nicolas Méhul
-
作品集:Symphony No.2 in D major
-
作曲家:Frederick Delius( 弗雷德里克·戴留斯)
-
作品集:North Country Sketches
Disc 3
-
作曲家:Mily Balakirev( 米列·巴拉基列夫)
-
作品集:Symphony No.1 in C major
-
作曲家:Richard Strauss( 理查德·施特劳斯)
-
作品集:Der Bürger als Edelmann – Suite op.60
-
作曲家:Mily Balakirev( 米列·巴拉基列夫)
-
作品集:Symphony No.1 in C major
-
作曲家:Richard Strauss( 理查德·施特劳斯)
-
作品集:Der Bürger als Edelmann – Suite op.60
-
作曲家:Mily Balakirev( 米列·巴拉基列夫)
-
作品集:Symphony No.1 in C major
-
作曲家:Richard Strauss( 理查德·施特劳斯)
-
作品集:Der Bürger als Edelmann – Suite op.60
简介
Rob Cowan wrote in Gramophone about the first volume featuring Sir Thomas Beecham: ‘numerous live Beecham releases have appeared over the last few years, some more successful than others (in both recording and performance terms), but this collection is certainly one of the best.’ This second volume continues with rare performances which as far as is known have never been made available before covering a period from 1952 to 1959. French music was a favorite of Beecham and this set is made up of music by Chabrier, Franck, Gretry, Lalo, Mehul and Saint-Saens, all of which he recorded in the studio but when Beecham was caught ‘live,’ it often showed the mercurial side of his character and no performance was ever the same. As David Patmore said in an essay: ‘What Beecham sought at all times was freshness and his unpredictability was one way of achieving this.’ The Franck is played for all its worth while the Mehul, rather than being performed as a period performance, is treated as a romantic composer in a big-boned approach. The Lalo Symphony with the RPO has a greater intensity than the French studio recording which came a few months later.