Dancepunk? Electronic garagerock? Industrial pop? There is no simple way to describe the playful, eclectic and highly energetic blend of styles that were never meant to breed, but turn out as surprisingly viable offspring from the secret underground laboratory of GZHU. Pictured as two sinister, guitar-armed war robots on the cover of their recent album "2 Many Devils", the duo is anything but mechanistic in their highly extroverted live shows, despite their strong electronic influence. In their songwriting, their method is best described as “directed Frankenstein coincidences”, where bits of vocals, guitars, electronic beats and weird sounds are remixed, reordered and recast to create the seed of entirely new songs. Nonsensical words are recorded and turned into lyrics based on how they sound. GZHU is in a constant war against their own comfortzone, and are most happy when things turn out differently than expected. The eight songs are blistering traffic accidents of melodic pop-music and much harder styles that despite their erratic moments always remain unmistakingly true to the GZHU tone. The aggressive yet positive sound is to a large extent due to bass-player Liza Nielsens characteristic in-your-face vocal, which is inspired by female vocalists of The Kills, Le Tigre, Republica and B-52. The other member of the duo, Peter Bøggild, swings the guitar axe and programs synthesizer and drum machines.