Deeqa - Acoustic (feat. Maciek Pysz)
- 流派:World Music 世界音乐
- 语种:英语
- 发行时间:2010-11-01
- 类型:Single
- 歌曲
- 时长
简介
Deeqa is the long awaited single from the prolific UK based singer/songwriter Aar Maanta’s debut album ‘Hiddo iyo Dhaqan’ and is set for general release with the new acoustic version of the song on November 2010. Maanta was one of Aar’s most popular earlier singles and he quickly became synonymous with the title of the song so much so that he decided to change his name from simply ‘Aar’ or ‘Lion’ in the Somali language, to his current name ‘Aar Maanta’. Aar began his interest in music to deal with the solitude of living in London without his family when he escaped the civil war in Somalia. Although the urban music styles around London have a strong presence in his music, it is the Somali influences which resonate the strongest. This is apparent even in his choice of title for the album, Hiddo iyo Dhaqan literally translating into ‘Custom and Culture’. The single Deeqa, is written in the traditional Somali poetic form using allegory and alliteration. The word ‘Deeqa’ is not only a popular name for Somali women meaning ‘suffice’, ‘generosity’ or ‘gift’ it was also another name for the now defunct Somali Airlines. Deeqa is a protest song written to highlight the injustice Somali people receive at airports around the globe, but particularly in the West. Aar himself was held in custody after he was reported to police by staff at Heathrow airport upon returning from his homeland. Sadly he is not alone, many people of Somali ethnicity have been given the same, if not worse treatment at airports, some imprisoned and released without charge after weeks or even months in imprisonment. The ‘War on Terror’ and the governments that neglects their duty to citizens are to be blamed. Mr. Aar believes there is no law against going to any Somali region. The video for the single is based on Aar Maanta’s own experiences at Heathrow airport while he was mistreated on several occasions by police and airport officials. Both the video and the song address the issues of racial profiling, citizenship and prejudice.