Leeds' finest is back on Paper with an EP showing off his chops as a producer on his uppers backed up by two remixes that have gone for the jugular and got a clean bite. The original is an 80s influenced deep houser that will sound equally at home on a beach at sunset in the adriatic, bass quaking a festival rig or on a European motorway at 3am. With synth washes and a filtered riff it hypotises it's way to a state of balearic dancefloor heaven. Renata takes it's pointers from the mid-90s with a pad bringing to mind a time when acid house was getting it's feet under the table. Add a big synth lead, stabby bass, strings and the spirit of the Beloved and Sub Sub is summoned up for the 00s. In a game of two halves (Brian) Flash Atkins' mix is all about the build. The deep and techy first section rides the one note bass and filtered synth with added Moog. It's a steady reach for the break when things get kicked loose as the track is taken down to it's raw elements. The bass changes and things are built back up synth by synth. Once it reaches it's peak, take cover or you're liable to get injured in the maelstrom. Rave-enka goes equally large but with a heads down 3am Fabric type joint. An arp fizzes and twists as the distorted fix builds and you don't realize the hats and snares are missing until they unleash three minutes in. The dynamics keep pulsing as you get taken you down a wormhole of heavy grooves. Make no mistake, this is proper floor tackle.