专辑简介

“The basic structure of the concerto is a life cycle of the universe,” says Kubian. “Each of the three movements has its own character. The opening is the big bang, with the electric violin playing a pizzicato on A. Essentially the piece is spawned by that singular pizzicato, which generates the piece’s energy. This is expanded upon later in the movement in a rhythmic figure.

“The second movement is the age that we’re in now, with its mixture of digital and analog technology,” Kubian continues. “The soloist switches to the acoustic instrument, but it’s gradually subsumed by the orchestra part, and the electric violin takes over. Ultimately the electric instrument overpowers the orchestra. There’s a regeneration of energy at the end.”