by Mark Richardson Vision Creation Newsun finds Boredoms moving even further away from the random noise that marked their early output and settling into a loose, jam-oriented aesthetic. The first two tracks (no song titles here, only symbols) find Boredoms further investigating pounding tribal rock with propulsive drumming, energetic guitar work, and vocal chants. The overall feel bears some similarity to Super Ae , with tracks that draw from Krautrock and psychedelia, but Vision Creation Newsun adds a folk element, including softer instrumental textures like hand percussion, lengthy cymbal washes, and acoustic guitars. Some passages even flirt with new age, as they weave bird songs and the sound of falling water into the mix. These delicate touches aptly demonstrate the sonic range of Boredoms, but some of these meandering pieces can get tedious. Still, the highlights are many. Guitarist Yama-Motor is the star here, and most of Vision Creation Newsun's best moments come from his hypnotic style and deep bag of effects. He is equally at home with the Spacemen 3 -style feedback shriek of the second track as he is with the minimalist acoustic work that dominates the latter half of the album. The dual percussion of Yoshimi and ATR is also powerful, but when songs break into long drum solos, Boredoms will lose their more punk-oriented fans. This is not the left-field triumph that Super Ae was, but it's a strong album nonetheless.