“Among the many festival highlights was Swedish guitarist and flute/wood-wind player Per Boysen’s Jon Hassell-like soundscapes” (Guitar Player Magazine, USA) “Per Boysen’s live looped ambience music with layers over layers of sax and flute melodies was a real experience, and it was obvious that he is utilizing the electronics as his personal expression without being a slave to the technology.” (Smålandsposten, Sweden) “Boysen has become an icon of as many bizarrely named pseudo-categories as inventive journalists could come up with. His prerogative of “liking music, but not genres“ has fuelled his ongoing “search for unplayed music“ – which is uncompromising in its strive for fresh emotions, but doesn’t shy away from audience appreciation either.” (Tokafi.com) “Per Boysen returns to his looping roots with a set for his exquisite flute playing and absolute mastery of his software, many of whom’s scripts he created himself. He has such a command of acoustic musicianship coupled with a truly vast knowledge about digital sound processing and live looping. I think of him as a giant in our community.” (Rick Walker, 2016. Founding promoter; Y2K International Live Looping Festival USA) Per Boysen has performed many shows around Asia, Europe and the US – both as a solo performer, in duets and with ensembles. Appearances in general public areas as well as at world famous institutions like the Swedish Norberg Festival, Présences Électronique in Paris and the North Sea Jazz Festival in Rotterdam. He is also active as a media music composer, having produced recordings of surround music, mixed records for bands and creative remixing for special record label releases.