COLONNA, G.P.: Sacra lamentationi della Settimana Santa (I Musici di Santa Pelagia, Fornero)
- 乐团: I Musici Di Santa Pelagia
- 发行时间:2017-10-06
- 唱片公司:CPO
- 唱片编号:555048-2
- 类型:录音室专辑
- 歌曲
- 时长
-
作曲家:Giovanni Paolo Colonna
-
作品集:Sacra lamentationi della Settimana Santa, Op. 9
-
作曲家:Anonymous
-
作曲家:Giovanni Paolo Colonna
-
作品集:Sacra lamentationi della Settimana Santa, Op. 9
-
作曲家:Anonymous
-
作曲家:Giovanni Paolo Colonna
-
作品集:Sacra lamentationi della Settimana Santa, Op. 9
-
作曲家:Anonymous
-
作曲家:Giovanni Paolo Colonna
-
作品集:Sacra lamentationi della Settimana Santa, Op. 9
-
作曲家:Anonymous
-
作曲家:Giovanni Paolo Colonna
-
作品集:Sacra lamentationi della Settimana Santa, Op. 9
-
作曲家:Anonymous
-
作曲家:Giovanni Paolo Colonna
-
作品集:Sacra lamentationi della Settimana Santa, Op. 9
-
作曲家:Anonymous
-
作曲家:Giovanni Paolo Colonna
-
作品集:Sacra lamentationi della Settimana Santa, Op. 9
-
作曲家:Anonymous
-
作曲家:Giovanni Paolo Colonna
-
作品集:Sacra lamentationi della Settimana Santa, Op. 9
-
作曲家:Anonymous
-
作曲家:Giovanni Paolo Colonna
-
作品集:Sacra lamentationi della Settimana Santa, Op. 9
-
作曲家:Anonymous
简介
Moving Lamentations from Italy. The initial years of the seventeenth century witnessed an extraordinary musical development owing in large part to the achievements of Italian composers. A decided advance occurred in the city of Bologna, where a group of brilliant composers open to stylistic innovations had gathered at the Basilica di San Petronio. In 1666, thanks to the initiative of the nobleman Vincenzo Maria Carrati, the Accademia Filarmonica was added to this vibrant musical panorama. During the second half of the eighteenth century, under Padre Giovanni Battista Martini, the Accademia would go on to experience its most glorious phase. From the very beginning this new institution could count on the participation of some prominent musicians active in Modena and Bologna. They included Giovanni Paolo Colonna, who had become acquainted with the famous Giacomo Carissimi in Rome. Carissimi introduced him to the resources of the sacred oratorio and offered him the organist’s post at the Chiesa di Sant’Apollinare. The Sacre lamentationi della Settimana Santa op. 9 shows how Colonna was able to generate the highest expressive power even with modest musical means. The intensive dramatic