“Bruno Green is a star for those who know him, so evident are the beauty of his voice and the value of his musical universe. Starting his activities in 1990, he has recorded several refined but unknown albums, left the label that had signed him in without ending his artistic quest. If he feels any bitterness, he does not show it and says he's proud of "pursuing his little craftsman's activity": he has reasons to be proud, for his albums are superb.... An example of comforting behavior for all bands.” (HM, Rock & Folk / France) “It is a significant achievement of this trilogy that though it is ambitious in its scope and execution it remains an intimate and humble experience. There are no grandiose statements, no bombast, no attention is drawn unduly towards it, no great claims are made for it - is on a human scale and it is intensely humane. This is an excellent and important work and one that neatly sums up all that is good about Americana.” (David Cowling, Americana.uk / England) “Bruno Green's music places itself somewhere between Vic Chestnutt & Sufjan Stevens. One can also find echoes of Sparklehorse in the rusty banjos, pedal-steel and alienating sound effects. Green writes compositions that are full of space and that are well in tune with his whispery voice. Horse Mood creates atmosphere and expresses the precarity of the cultural expressions, which have been drowned in the noisy debris of modern times. In the course of eleven short songs, Green manages to depict a rustic atmosphere of decayed barns, of rusted tools and abandoned lands. The Blue Void Trilogy is a beautiful folk-blues album that lines with the best...”. (Wiebren Rijkeboer, Altcountry.nl / Netherlands)