This is the Original Motion Picture Soundtrack for the film 'All That Remains' by Pierre-Adrian Irlé & Valentin Rotelli. The composer and performer Nicolas Rabaeus has created a genuine and emotive music, inspired by the roads of California's 101 and Japan's Pacific coastline. Guitar, strings and vibrant choral voices will bring you through the most poignant scenes of the film and make you travel in your mind to the spectacular locations that inspired its composition. Featured artists: Composition, guitars, electric bass & vocals - Nicolas Rabaeus Vocals - Soraya Berent Cello - Florestan Darbellay Contrabass - Pedro Vares Drums - Guillaume Louis Choir - Mélanie Baume, Lamia Beuque, Jacky, Cahen, Katya Cuozzo, Cécile Matthay, Elise Milliet, Perpetue Rossier, Sandrine Wiss For more about the film, read through the synopsis: Four people — bound by the common thread of a deeply personal loss — take to the road at a pivotal moment in their lives, hoping to move ahead. Along the way they unexpectedly intersect with one another — the result of which forever alters their understanding of brotherhood, friendship, and love. In Japan, Nakata resigns from a life-long career behind a desk to start the life he’s dreamed of for 30 years. He meets Ellen, a mysterious but endearing Westerner looking for a ride out of Tokyo. Together they make the drive southeast towards the fabled coast of Umikongo… Across the ocean Ellen’s brother Ben is heading North along the California coast on a mysterious quest. Along the way he picks up Sara, a spirited hitchhiker from Las Vegas who’s searching for a new life after a troubling marriage. Together they make their way to the mystical cliffs of Big Sur where Ben must complete his task… On both sides of the ocean, the uneasy relationship between strangers evolves. Ellen’s health deteriorates; Ben performs a ritual by the sea. As the road unfolds, their fates collide. ALL THAT REMAINS (Best Actress winner of 2011 Swiss Film Prize) is the first feature length by Swiss emerging directors Pierre-Adrian Irlé and Valentin Rotelli. As with their previous short-film BIG SUR (33’, 2008), nominated for the Swiss Film Prize in 2009, the directors did a nomadic and chronological shooting. They worked closely with the actors to have them improvising under their guidance, revealing the script to them day after day along the road throughout the shooting. With a solid preparation based on the respective biographies of their characters, the actors evolved within the boundaries of the story that was written.