From their beginnings a continent away in Japan, Bress has one philosophical rule when it comes to creating music: Nothing is off limits. Having started by playing the live clubs of Osaka, Japan, the band moved back to the United States and released Crossing, a tour de force, inspired by two very different cultures. Constantly, yet subtly changing styles, while still having a consistent and original sound, Bress wrote and recorded Crossing as a follow up to their debut album, Hopefully. With eleven new tracks, this album is full of heart, soul, and energy, which bursts forth from the very first guitar chord of the song Tides to the final fade out of the fan favorite Octagon. Having performed at renowned venues such as The House of Blues, Whisky A Go-Go and Troubadour in Hollywood, and The Cellar and Someplace Else in Japan, this is one band that exudes energy which is extremely noticeable on the album Crossing, as well as their live performances. With both male and female vocals, Bress has a very unique rock sound, influenced by many different bands and styles. Ask ten people what Bress sounds like, and you are most likely to receive ten different answers. This is easily noticed on their second album, Crossing.