专辑简介

Eiko Ishibashi (voice, piano, drums) \rKeiji Haino (voice) \rKakushin Nishihara (voice, satsuma biwa) \rRyuichi Sakamoto (piano) \rHiromichi Sakamoto (electric cello) \rSachiko M (sine wave) \rOtomo Yoshihide (turntable) \rLeonard Eto (wadaiko) \rKazutoki Umezu (tenor saxophone) \rKazuki Tomokawa (voice, guitar) \rAmong the many fascinating aspects of Japan, it is the very vitality of its culture that stands out. \rWhereas everywhere in the world, traditions fade before cultural globalization, Japan’s ancestral colours overshadow modernity in a unique way.That peculiar intensity is to be found at every level of Japanese avant-garde music, which uses that unmistakably rough sonority deeply engraved into this country’s most traditional form of musical writing. When listening to avant-garde music pieces, one easily detects to what extent they belong to traditional Japanese music, how it has lived on under that form. \rFor three weeks, ten musicians from diverse backgrounds (musicians, singers-both traditional and modern) met in a studio in Tokyo and recorded a piece revolving around a system born in Japan in the 8th Century. The “Jo Ha Kyù” is made of three movements : “Jo” is an introduction or a penetration, “Ha” is a tear and “Kyù” stands as an endless acceleration. It may be because it is cross-disciplinarity and universal that we found this music to be topical. It has been used in areas as varied as composition, dance, drama, literature or even floral arrangement and tea ceremony. The “Jo Ha Kyù” can be a reading of the world, it may punctuate a conversation or define a relationship. It can be read by observing a piece of music as a whole, by studying each part separately, by focusing on one musical phrase as well as on any single note journeying through that phrase. \rGreat improvisers, gifted with a flawless mastery of their music and highly trained at reading the weft of “Jo Ha Kyù”, musicians have transcribed a wide variety of sounds, exploring a musical universe rooted in the depths of Japanese tradition which supports and keeps new music alive. \rText by Gaspar Claus \rMasterfully directed by cellist Gaspar Claus, this collaboration with 10 distinguished Japanese artists represents the frontline of the Japanese music scene \rgathered together to bring this miraculous collection to the world. \rThe cover art features a previously unpublished, fiercely devoted piece by legendary Japanese SF manga artist Daijiro Moroboshi, directly inspired from Jo Ha Kyū.