Recorded, mixed and mastered at Audioline Studios by Felipe Grüber. With catchy choruses and multiple backup vocals, fast riffs, heavy sections and evolved solos, the band’s sound is definitely more personal and mature. It is deeply inspired by the extended process of political and social decline that their country has been through the last 16 years, and by societies with similar contexts. The album won “Best album art” in the 5th edition of the Union Rock Show Awards, one of the biggest in the local scene, and ranked by various magazines among the best albums of the year 2015. "Punk band Zombies No has got the crowd’s attention with their songs from the album La única culpa que tengo." (El Nacional Journal) "…Wether it’s a matter of nostalgy or adrenaline, they constitute, by far, the last of the mohicans protesters from refractory rock. The group's experiences and their impressions on the country’s situation have been exposed in their imminent second production: La única culpa que tengo, where they call a spade a spade, like punks always did." (Contrapunto) "When it seemed that venezuelan’s punk reactionary spirit entered in a coma state, Zombies No releases “La única culpa que tengo” so as to give it an electroshock, with the songs in between the styles of melodic hardcore and New York hardcore, radiographing the sad days we are living.” (HumanoDerecho.com) "A crushing hit, leaders among the wave of Venezuelan artists that summed up for a change with their music. Zombies No, one of the fewer bands with balls remaining in the country. With La única culpa que tengo, Zombies No makes a statement, criticizing openly everything that, at least for them, is wrong, which basically turns out to be the actual government." (CochinoPop)