- 歌曲
- 时长
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作曲家:Johann Sebastian Bach( 约翰·塞巴斯蒂安·巴赫)
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作品集:Prelude & Fugue in F Minor, BWV 534
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作品集:An Wasserflüssen Babylon, BWV 653b
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作曲家:Johann Sebastian Bach( 约翰·塞巴斯蒂安·巴赫)
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作品集:Prelude & Fugue in F Minor, BWV 534
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作曲家:Klaas Bolt
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作品集:Variations on "Ontwaak, gij die slaapt"
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作曲家:Felix Mendelssohn( 雅各·路德维希·费利克斯·门德尔松·巴托尔迪)
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作品集:Prelude in E Minor, WoO 13a, MWV U 157 (Transcr. W.T. Best for Organ)
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作曲家:Johanna Senfter
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作品集:10 Chorale Preludes, Op. 70 (Excerpts)
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作曲家:Felix Mendelssohn( 雅各·路德维希·费利克斯·门德尔松·巴托尔迪)
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作品集:Fugue in E Minor, WoO 13b, MWV U 65 (Transcr. W.T. Best for Organ)
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作曲家:Cécile Chaminade
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作品集:Concertino in D Major, Op. 107 (Arr. C. Rakich for Flute & Organ)
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作曲家:James Woodman
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作品集:An Extravagance of Toccatas
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作曲家:Carson Cooman
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作品集:3 Autumn Sketches After a Watercolor by Maria Willscher
简介
Harawi is a cycle of twelve songs scored for soprano and piano composed in 1945. Harawi (known to Spanish speakers as yaraví) designates a song about a fated love that ends in the death of both lovers. Messiaen remarked that “it is the story of Tristan and Isolde.” The surrealistic text of Harawi is Messiaen’s own. Using the musical structures Messiaen had created for Harawi, he built massive phrases in these songs, expanding space and time, creating extreme tenderness, vastness, clarity and abysses. In Harawi both lovers are not only human, but beings, which transform again and again. Destruction, pain, death, creation, joy, dance and love are not final — they are all everchanging particles of our interwoven cosmic existence. Already chosen as ONE OF THE BEST RELEASES OF 2019 (from a pre-release review copy) by Lynn René Bayley of Art Music Lounge: "This stunning album … features the still-young and somewhat outré German soprano Sarah Maria Sun… From the first notes of La ville qui dormait to the dying piano sound in Dans le noir, this is a performance that will absolutely rivet you… This clearly goes straight to the top of performances of this unusual and somewhat difficult song cycle…” Sarah Maria Sun is one of the foremost singers in the contemporary music scene with a repertoire of more than 900 compositions from the 20th & 21st centuries, including more than 320 world premieres. She was nominated for singer of the year by Opernwelt in 2017 for her role as Elsa in Sciarrino’s monodrama Lohengrin and as Gwen in 4.48 Psychosis by Philip Venables. From 2007-2014, she was first soprano of the Neue Vocalsolisten Stuttgart, a chamber ensemble of 7 singers that has been one of the world’s leading pioneers of contemporary music for 30 years.