Órbita is about turning and evolving, always the same journey but constantly changing, getting older, slowly dying. As a planet that goes around the sun, each track comes back to the same place a number of times. But everytime, something has happened, a year has passed. Santiago Latorre is a musician and sound engineer who lives and works in Barcelona. At the age of 11 he began to play sax and a few years later, he started electronic engineering. These two parallel interests led to the development of his Sonification of the Human Genome, the project that marked the beginning of Santiago’s fascination with musical experimentation and new sounds.  In 2005 he started working on his personal projects, searching for cyclical structures, surrounding melodies and subtle textures. He used layers of sax, accordion, piano, voice and synthesised sounds to progressively construct and deconstruct the tracks. This work is now compiled in Órbita, his debut album. Santiago Latorre has composed music for dance, theatre, fashion and videoart including the contemporary dance piece PIEL, the play Radio- Patera and the video projects Fünf, On the terrace and Sobrevive, in collaboration with Ivonne Dippmann. He has performed in several festivals and clubs around Spain including SONAR, LEM, La noche en blanco de Madrid, Festival de músicas de verano de Ponferrada, Heliogabal...) and has toured in south-east China, collaborating with Hong- Kong based artist Dickson Dee.  He is the house engineer at Grabaciones Silvestres, one of the leading recording studios in Spain.