Anne music has produced artists such as Emma Swift, Scott Miller, Audrey Auld and Ellen Starski. She has made 6 studio albums of her own and has a radio show on WXNA fm Nashville called Songs On The Wire. She has played guitar on Robyn Hitchcock's latest release (2017) and albums by artists such as Michelle Shocked and Wild Ponies. "McCue and co-producer Dusty Wakeman (Lucinda Williams, Dwight Yoakam) give the album a welcome contemporary polish. That sheen shines even brighter thanks to McCue's virtuosity on guitar, whether she's slow-strumming a rhythm on "Things You Left Out in the Rain," finger-plucking a nylon-string solo on "Dig Two Graves" or riding a subtle slide on "Long Tall Story" — her pickin' chops have garnered accolades from the likes of Lucinda Williams..." NASHVILLE SCENE "McCue’s [guitar] virtuosity is no surprise, but the ease with which she’s absorbed and restated the beating heart of swing music is impressive and thrilling." NO DEPRESSION "... with references to Django Reinhardt, Billie Holiday and Gershwin, among others, this gorgeous album showcases McCue’s songwriting, torch-like vocals and brilliant, mostly-acoustic guitar mastery." ELMORE MAGAZINE "A true depiction of McCue’s Southern charm, the album shines with a genuine bluesy, folk rock sound... Perceivably effortless, McCue continued to impress with a mastering of both guitar and vocals and at one point retrieved a sliding guitar for the song “Hangman.”" AUSTIN FUSION MAGAZINE "McCue uses swing elements (last prominent in pop music circa the late ‘90s) and an elegiac New Orleans sensibility to create a cyclonic atmosphere, a controlled chaos of swirling guitar work and tempered horns resulting in an inferno of sound... Knock on wood, but Anne McCue’s time has arrived on what is her most realized album to date." THE SECOND DISC "An Australian transplant currently calling Nashville home, Anne McCue took a musical detour on sixth album Blue Sky Thinkin’, a candidate for her strongest work ever. Known for her guitar prowess, she expands into jazz and swing in the style of Django Reinhardt and Charlie Christian, adding horns and keyboards for color." AUSTIN "Both the mood and the music lend themselves to imagery involving booze, bravado and bordellos, but McCue’s perky attitude and the colorful paintings that adorn the album’s cover suggest more of a mischievous intent." BLURT MAGAZINE "The sprightly album brims with toe-tap-inducing feel-good patina." NASHVILLE