专辑简介

Michel Martelly has been heralded as a pioneer of a unique brand of kompas music, a style of Haitian dance music sung in Haitian Creole language. Originally, compas was a fusion of Afrolatin jazz and African/Haitian folkoric rhythms, and was traditionally played by large bands composed of numerous group members and instrument sections. Martelly, a keyboardist and the self-proclaimed "bad boy" President of Compas, popularized a nouvelle generation, or "new generation" style, of smaller bands with few members that relied predominantly on synthesizers and electronic instruments to reproduce a fuller sound. Martelly's and Sweet Micky's live performances and recordings are sometimes laced with obscenities and humorous sociopolitical commentary by Martelly. Outlandish and outspoken, Martelly has been known to drink publicly while performing in wigs, costumes, diapers, and Scottish kilts, and occasionally removed his own attire while performing. While arguably the most recognized and applauded musician and public personality in Haiti, Martelly's performance style has sometimes ignited controversy throughout the Haitian diaspora when he "kaka shwaaaaay."[citation needed]