Chaconnerie: Bassi Ostinati from The 16th to The 21st Century
- 演奏: Silvia Márquez Chulilla (羽管键琴)
- 发行时间:2018-06-01
- 唱片公司:IBS Classical
- 唱片编号:IBS-52018
- 类型:录音室专辑
- 歌曲
- 时长
-
作曲家:Bernardo Storace
-
作品集:Selva di varie compositioni d'intavolatura
-
作曲家:Michelangelo Rossi
-
作曲家:Antonio de Cabezón
-
作品集:Obras de música
-
作曲家:György Ligeti( 利盖蒂·捷尔吉)
-
作曲家:Louis Couperin
-
作曲家:George Frideric Handel
-
作曲家:Alessandro Scarlatti( 亚历山德罗·斯卡拉蒂)
-
作品集:Primo e secondo libro di toccate
-
作曲家:Johann Sebastian Bach( 约翰·塞巴斯蒂安·巴赫)
-
作曲家:Carl Philipp Emanuel Bach( 卡尔·菲利普·埃马努埃尔·巴赫)
-
作曲家:Roberto Sierra
简介
Chaconnerie is a recording that deals with repetition. Chaconnerie illustrates that particular principle of Art that seeks to combine elements over and over again to achieve balance and unity. Chaconnerie encourages us to undertake a voyage in which sounds –through the centuries– build upon an insistently repeated, or imaginatively varied, scheme. Repetition has been a major element of humankind’s artistic manifestations and expressions ever since the time of the Moais on Easter Island up to the drawings of Max C. Escher. Repetition is rhythm, pulse, and life, and life overflows in the chaconne, a dance whose origin Lope de Vega attributed to the American Indian (“from the Indies to Seville / it has come by post”) and whose character Miguel de Cervantes describes as lascivious and immoral. With its accent on the second beat and its variations on a harmonic scheme, this dancing base - together with sarabandes, folias, and passacaglias - was conducive to improvisation on chordal progressions, a novelty that had a crucial impact on Baroque music in Europe.