Mika Pohjola (b. 1971, Helsinki, Finland) is a Finnish-born jazz pianist and composer, who resides in New York City. He is one of the most prolific Scandinavian jazz musicians in his generation. Pohjola was born in Helsinki, Finland, and grew up in the neighboring city of Vantaa. He received his formal education in a Steiner school, where his first instrument was violin. He then studied drums, and in 1979 piano and basic music theory with his father, Heikki Pohjola, who is a notable Finnish jazz guitarist. In 1981, young Pohjola entered the Helsinki cathedral boy choir, Cantores Minores under the direction of the German immigrant, Heinz Hofmann. The following year, Pohjola entered the Vantaa Conservatory in classical piano, music theory, counterpoint and composition. He also started playing jazz, and improvise freely. His early classical influences were Claude Debussy, Edvard Grieg and Johann Sebastian Bach, and some Finnish prominent composers, such as Aarre Merikanto. Pohjola was introduced to the music of Art Tatum, Charlie Parker and Oscar Peterson by his father, who played his large record collection at home. Pohjola performed music by Mozart, Beethoven and Debussy at regional recitals and received a shared second prize in the classical piano competition of Vantaa in 1987, and represented his city and the conservatory at the Ilmari Hannikainen Piano Competition. In the Fall 1987, Pohjola moved to Stockholm, Sweden to study jazz and classical music at the Södra Latin Music Gymnasium. Pohjola received a Master's Degree in Jazz Improvisation and Education from the Royal College of Music at age 20 in the Spring of 1992. His senior recital included his first recorded adult compositions, after which he was invited to join STIM, the collecting society for songwriters, composers and music publishers of Sweden. He also made his first radio appearance for the Swedish Radio in 1991. After graduating from Stockholm, Pohjola moved to Boston, Massachusetts to study under a scholarship at Berklee College of Music. His continued studies were also supported by his Swedish college, where he had performed his studies with a Summa cum laude. His Berklee professors included Herb Pomeroy, Gary Burton, Phil Wilson, Ed Bedner, and Hal Crook. It was at Berklee where Pohjola met several of his performing and recording collaborators of the 1990s and 2000s, among them Jill Walsh, Johanna Grüssner, Fernando Huergo, Matt Penman, Bruno Råberg, Roberto Dani and Mick Goodrick. Pohjola graduated from Berklee with honors and several prizes in 1994. That same year he recorded Myths and Beliefs (GM Recordings), produced by Gunther Schuller. Pohjola settled in New York City in 1995 and became a part of the thriving downtown jazz scene. He briefly studied with pianist Sal Mosca, who was a student of the legendary Lennie Tristano. Pohjola performed in the late 1990's at New York clubs Blue Note, Birdland, the Five Spot, Smalls, The Jazz Standard and Visiones. His collaborators included Chris Cheek, Mark Turner, Miguel Zenón, Ben Monder, Drew Gress, Jeff Williams, Jochen Rückert, Matt Wilson and Mark Ferber. Pohjola started touring Europe regularly, mostly as a bandleader and composer where he performed with his New York-based ensembles. Pohjola was invited to Ukraine in 1999, 2001 and 2002 as the cultural representative of the Finnish Foreign Ministry. As a counterbalance to his quartet, he formed a freely improvising duo, Sound of Village, with Yusuke Yamamoto. Their home became the Knitting Factory in New York City, but they also did two notable appearances at Steinway Hall. In 2000, Sound of Village recorded its self-titled album. Their tours included appearances at several jazz festivals in Scandinavia and Japan. In the recording sessions of his first four albums as a leader, Pohjola's interest and knowledge in the possibilities of the recording studio grew from a mere documentary medium into a compositional tool. He had recorded two multi-tracked songs for his Landmark album in 2002, featuring multiple voices with fellow Finnish vocalist Johanna Grüssner. The success of Landmark led to further cooperation with Grüssner, and the first recording of the entire catalog of the original Moomin music songbook by Tove Jansson. Moomin Voices was released in two versions (2003 in Swedish; 2005 in Finnish). The follow-up album, A Lark in the Snowstorm (2006), featured Pohjola's original-minded arrangements of legendary tangos. Pohjola has ever since living in Sweden (in the late 1980s) been a specialist in collaborating with jazz vocalists. His earliest vocal partners included Rigmor Gustafsson and Lisa Werlinder, and in the Boston-period Johanna Grüssner, with whom he recorded an extended release Swedish Traditional Songs (2006). Pohjola has performed regularly with Nashville-based vocalist Jill Walsh since the late 1990s and released three albums. Since 1993, Pohjola has been a frequent clinician at conservatories, especially in Scandinavia. In the years 1995-2008, he was also the jazz principal and big band leader at the international Nilsiä Summer Music Camp. Pohjola is a Steinway Distinguished Artist since 1997, and a major visiting artist at Berklee College of Music since 2006. Pohjola's 2009 releases, Northern Sunrise with Steve Wilson and Ben Monder, and solo piano album Great Tunes by My Friends with music by Kurt Rosenwinkel, Monder, Reid Anderson and others, have been widely acclaimed. Pohjola also plays Argentine chacarera and jazz compositions with bassist and composer Fernando Huergo. They recorded Provinciano for Sunnyside Records in 2008, on which Pohjola is also credited as the mixing and mastering engineer. Other albums with Pohjola credited as the mixing and mastering engineer include It's About Time by Terry Clarke, Jim Hall, Joe Lovano and Greg Osby. Pohjola's classical composition catalog includes a series of commissions, mostly supported by Scandinavian foundations and organizations.