EL CANT DE LA SIBILˑLA AND OTHER SACRED MEDIEVAL WORKS (Arkansé Choir, Musicaround, Marenco)
- 乐团: Arkansé Choir
- 发行时间:2020-10-09
- 唱片公司:Dynamic
- 类型:录音室专辑
- 歌曲
- 时长
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作曲家:Anonymous
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作品集:Audi tellus, audi magni maris limbus [Bibliothèque municipale, MS lat. 6, Montpellier, 10th century]
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作品集:Ordo prophetarum [Bibliothèque nationale de France, MS lat. 1139, St. Martial de Limoges, 11th-13th centuries] - Benedicamus Domino [Las Huelgas, Monasterio de Sta. María la Real, IX, Burgos, 1300]
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作品集:El canto de la Sibilla [Catalan Oral Tradition]
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作品集:Veni venia veniae [Las Huelgas, Monasterio de Santa María la Real, IX, Burgos, ca. 1300]
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作曲家:Anonymous
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作品集:Audi pontus, audi tellus [Las Huelgas, Monasterio de Santa María la Real, IX, Burgos, ca. 1300]
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作曲家:Alfonso X (El Sabio)
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作品集:Cantigas de Santa Maria: No. 51. A madre de Deus
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作曲家:Anonymous
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作品集:Splendidus regis thronus solaris - Leo bos et aquila regalis [Las Huelgas, Monasterio de Santa María la Real, IX, Burgos, ca. 1300]
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作品集:Dies irae [Graduale Romanum, 1908]
简介
In 2010 UNESCO declared the Song of the Sibyl part of the Intangible Cultural Heritage of Humanity, as one of the most fascinating documents of Medieval European culture. A prophetess of Apollo, foreteller of misfortunes and calamities, the Sibyl entered the Christian world as the earliest announcer of Christ’s coming and of his return on Doomsday. The text was sung over a suggestive melody that has survived to our day across seventeen centuries, handed down through various manuscripts and languages. This release features the Catalan version of the Song performed in all its expressive intensity by the poignant interpretation of the native language singer Eugenia Amisano, accompanied by the instrumentalists and voices of the Musicaround Ensemble. The programme also includes a selection of rare pieces related by content, in a journey that reveals how the Sibyl’s prophecy sounds at this particular time in history, and proving surprisingly topical. The transcriber, orchestrator and conductor is Vera Marenco who, working on the variety of instrumental and vocal forces and with a particular care for the choral parts, balances the need for a neat, contemporary reading with the popular origin of the rite.