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The Blackest Bass: Gottlob Frick Portrait
- 指挥: Rudolf Kempe (鲁道夫·肯普)
- 乐团: Berlin Symphony Orchestra (柏林爱乐乐团)
- 发行时间:2019-05-17
- 唱片公司:Profil
- 唱片编号:PH18047
- 类型:录音室专辑
- 歌曲
- 时长
Disc 1
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作曲家:Wolfgang Amadeus Mozart( 沃尔夫冈·阿马德乌斯·莫扎特)
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作品集:Die Entführung aus dem Serail - The Abduction from the Seraglio
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作品集:Die Hochzeit des Figaro - The Marriage of Figaro
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作品集:Die Zauberflöte - The Magic Flute
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作曲家:Wolfgang Amadeus Mozart( 沃尔夫冈·阿马德乌斯·莫扎特)
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作品集:Don Giovanni
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作曲家:Gioachino Rossini( 焦阿基诺·罗西尼)
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作品集:Der Barbier von Sevilla/ Il barbiere di Siviglia
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作曲家:Albert Lortzing
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作品集:Der Wildschütz
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作曲家:Albert Lortzing
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作品集:Zar und Zimmermann
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作曲家:Otto Nicolai( 奥托·尼古莱)
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作品集:Die lustigen Weiber von Windsor( 歌剧《温莎的风流娘儿们》)
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作曲家:Peter Cornelius
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作品集:Der Barbier von Bagdad
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作曲家:Jacques Fromentel Halévy
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作品集:Die Jüdin/ La Juive
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作曲家:Carl Orff( 卡尔·奥尔夫)
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作品集:Die Kluge
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作曲家:Werner Egk
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作品集:Die Zaubergeige
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作曲家:Hans-Hendrik Wehding
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作品集:Tandaradei
Disc 2
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作曲家:Richard Wagner( 理查德·瓦格纳)
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作品集:Die Meistersinger von Nürnberg
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作品集:Götterdämmerung
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作曲家:Richard Wagner( 理查德·瓦格纳)
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作品集:Der fliegende Holländer
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作曲家:Giuseppe Verdi( 朱塞佩·威尔第)
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作品集:Don Carlos/ Don Carlo
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作品集:Die Sizilianische Vesper
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作曲家:Giuseppe Verdi( 朱塞佩·威尔第)
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作品集:Simon Boccanegra( 歌剧《西蒙·波卡涅拉》)
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作曲家:Pyotr Ilyich Tchaikovsky( 彼得·伊里奇·柴可夫斯基)
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作品集:Eugen Onegin
Disc 3
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作曲家:Joseph Haydn( 弗朗茨·约瑟夫·海顿)
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作品集:Die Schöpfung
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作曲家:Joseph Haydn( 弗朗茨·约瑟夫·海顿)
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作品集:Die Jahreszeiten - The four Seasons
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作曲家:Conradin Kreutzer
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作品集:Schäfers Sonntagslied
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作曲家:Franz Abt
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作品集:Waldandacht
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作曲家:Victor Ernst Nessler
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作品集:Abschied hat der Tag genommen
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作曲家:Friedrich Zeller
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作品集:Es war ein König in Thule
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作曲家:Carl Michael Ziehrer
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作品集:Das dumme Herz
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作曲家:Josef Gotzen
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作品集:Auf dem Iselberge steh ich
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作曲家:Rudolf Simon
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作品集:In der Waldschenke
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作品集:Jägers Liebeslied
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作曲家:Robert Stolz
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作品集:Auf der Heide blühn die letzten Rosen
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作曲家:Robert Stolz
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作品集:Vor meinem Vaterhaus steht eine Linde
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作曲家:August Büchse
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作品集:Das Elternhaus
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作曲家:Fritz Jöde
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作品集:Der kleine Rosengarten
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作曲家:Friedrich Fürst
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作品集:Aber der Wagen rollt
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作曲家:Carl Loewe
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作品集:Die Uhr
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作曲家:Franz Schubert( 弗朗茨·舒伯特)
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作品集:Grenzen der Menschheit
Disc 4
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作曲家:Bedřich Smetana( 贝德利奇·斯美塔那)
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作品集:Die verkaufte Braut
简介
It was the conductor Wilhelm Furtwängler who first gave Gottlob Frick the nickname "Der schwärzeste Bass". This accolade has been picked up time and again, gone through various manifestations, and become a sort of trademark of the German bass Gottlob Frick. That said, the attribute "black" is often applied to define the vocal range of a basso profundo's ability to produce sonorous deep notes. However, the definition of "black bass" means far more than that: it applies primarily to the deep, dark timbre, the rich and sonorous sound and the lasting flexibility of the voice even in the deep registers, paired with strength, momentum, natural resonance and abundant expression in the entire vocal range. "If you have ever heard the timbre of Gottlob Frick's voice, you will never forget it," as the German singing expert Jürgen Kesting accurately observed in his standard reference work "Die großen Sänger". Gottlob Frick is seen rightly therefore as the incarnation of the black bass. He is a German bass who, thanks to the many sound recordings he left us documenting his sonorous, unusually beautiful and fluently melodic singing, enjoys a popularity to this day that is probably unparalleled in this vocal register. One of the reasons the internationally renowned critic John B. Steane advanced to justify his inclusion of Gottlob Frick in his list of 100 most important singers in "Opera Now" is encapsulated in this fitting characterisation: "When it comes to the Wagnerian basso profundo, the only name in recent times that matters" – by which he means the 1940s to 1980s – "is that of Gottlob Frick: a tower of strength in the strongest ensemble and one of the greatest basses of all time. His voice is steady despite its powerful capacity, supple and splendid. Frick's two-and-a-half-octave bass is remarkably well trained and remains constant through its entire spectrum. He has a strong sense of rhythm and he can sing both legato and staccato in exemplary manner, without depriving his listeners of that rich timbre of his."